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Scene from  the motion picture, Silver Linings Playbook

Scene from the motion picture, Silver Linings Playbook

Hemingway was a tough editor on his own material. He cut adjectives and prose back with a sculptor’s eye. What did Michelangelo say? “I see the angel in the marble and carve until I set him free?”  But Ernest Hemingway said something even more mystical. He said that the stuff you cut out from the prose  never  truly leaves. Hemingway believed it was swimming underneath in the deepest ether of the words still left. Hemingway called his style the iceberg theory: the facts float above water; the supporting structure and symbolism operate out of sight.

Hemingway posited that you could be spare in wordage, yet the subtext spills forth. What was Hemingway’s favorite short story told in six words? ” For sale: Baby shoes, never worn.”  Immediately, we sense the sorrow  running beneath.

I look at Hemingway’s theory in the wonderful picture, “Silver Linings  Playbook”. It is a motion picture of great power. It is beautifully played by an ensemble cast of Bradley Cooper, Jennifer Lawrence, Robert DeNiro and Jacki Weaver.  It is the only picture in the Academy Awards this year to be nominated in each thespian category. It was also intuitively directed and written by David O’Russell.

Which brings me back full circle to Hemingway. God was cut out of the story when David O’Russell adapted the book into a screenplay which became the movie.

In the book, “Silver Linings book” by  Matthew Quick, God was a featured player. During the years he spends in a neural health facility, the protagonist formulates a theory about silver linings: he believes his life is a movie produced by God. His mission is to become physically fit and emotionally supportive, and his happy ending will be the return of his estranged wife.

“If you keep doing good, humble work,” said writer director David O’Russell recently,” it will attract good people to do that work with you”. You indeed sense the goodness of the themes in Playbook; you experience mercy, forgiveness, humility and restraint — the fruits of the very Spirit of which  Galatians 5:22 speaks.

One person who saw the picture  last night told me,  “I makes me happy to be alive.”

Even though the name “God” has been removed from the movie, isn’t God still there beneath the iceberg?

Olivia Hussey in Zeferelli's adaption of Shakespeare's Romeo and Juliet

Olivia Hussey in Zeffirelli’s interpretation  of Shakespeare’s Romeo and Juliet

“You know how Harold Bloom says that Shakespeare invented us? It’s a fascinating idea, and you can go quite far with it,” said  Director Mike Nichols in a New York Times interview several years ago.

What Mr. Nichols was referring to is the BIG IDEA  that William Shakespeare ( with his complex characterizations of men and women and their triumphs and tragedies against backgrounds of power, compromise and fancy etc.)  — painted a portrait so brilliant  of  modern  man and woman, that civilization stepped into the portrait. The  conception of man rendered by Shakespeare became western man.

This was a concept espoused for many years and still is by Yale professor, Harold Bloom, who is a Shakespeare scholar and comes just this side of deifying the Bard.

Yes, of course, there were the esteemed Greeks and Romans who had painted man with a fine and ironic palette — but they had not suffered through seven hundred years of the dark ages. Fictional men were land grabbing  barbarians or kings and then they died. Fictional women were good for child-bearing and then they, too, died. Along came the renaissance and, later William Shakespeare. Through his intuitiveness with poetry and theatrics , he shined on  humankind a most brilliant light . No one fully knows of Shakespeare’s religious beliefs yet TIME Magazine maintains there are 1400 Biblical references in his collected works.  Many scholars believe the Bard helped in 1611 with the translations associated with the King James Version of the Bible. One of is most quoted passages “What a piece of work is man” is a loving homage to Psalm  8, according to scholars.

As this is Valentine’s Day, no other single storyteller created a more impactful view of romantic love than William Shakespeare. Is there anything more beautiful than his rendering of Juliet and her Romeo? For centuries, this romance and its  highly charged,electric language has touched people is such a way that the very essence of tragic love seemed to be etched on our hearts before we ever saw  or read it. It’s as if the play reads our hearts due to its transformational manner. As Harold Bloom mystically says, “You don’t read Shakespeare, Shakespeare reads you.”

My favorite movie version of Romeo And Juliet remains the interpretation  directed by Franco Zeffirelli. It stars  Olivia Hussey  as Juliet. Ms. Hussey’s performance spills over in radiant youth and her multi-faceted performance carries the mark of  angel, lover, bride, reaper and poet.  My good friend, producer Ileen Maisel has just made a new medieval version of   the classic  love story starring the gifted, Hailee Steinfeld , who was nominated for an oscar for her performance in True Grit. As Ileen’s version will not be available until later this year, I have posted the balcony scene from Zeffirelli’s version. The wonder of the Shakespeare’s remarkable words and Ms. Hussey’s lovely performance still stand strong against time. Happy Valentine’s Day, everyone! May someone sweet to you say words as beautiful as these…

The completed video master of the motion picture, Romeo and Juliet,  is under copyright to Paramount Pictures Corporation. This segment, which is less than 5% of the running time of the completed motion picture is being used for educational purposes. This is not a for-profit website.  Title 17: Chapter 1 / 107 of the United States Code provides for special instances in which copyrighted materials can legally be used without permission from the owner.

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